Monday, 21 July 2014
The Tango...
Tango, the namesake of what? Pseudonym, synonym of which stands for the word or act or verb? How many times in our community living, hears or pronounce this word, often linked to a dance but also to a concept. Even an oil company in the Netherlands, has used the word Tango for their petrol pumps: TANGO, Tank and GO! The same can be said about how many times discussed, talked about, imitated something from the world of Tango immediately after seeing a movie or a TV show based on this dance.
Silent and hidden from the darkness to live in the brothels of a rich Buenos Ayres, danced by gigolos and prostitutes, up to the forefront of the most famous theaters in the world and danced by millions of people of all social status, every race, every nationality, age, religion or status social, they have spent a lot of time and almost everything in the basement of the many theaters in the province, before moving on to greater fame.
At one time taught in the street, danced initially between men waiting for pleasure by easy girls, now it is taught everywhere and in real Dance Academies, allowing even the birth of a specific literature, so as to get him to the heights of notoriety historical, with the declaration by UNESCO in 2009, in which it is stated that the Tango and Flamenco are intangible assets of Humanity, for giving the world and the history of something unique and tied to the continuity of life in his well-being inner and social.
(Article original proposed by Mikhail Lermontov.@Copyright-Misha2014- Reproduction forbidden)
a small part of the book I am writing...
He saw Altinai seated on a bench near the park. Her shoe bag near the corner and mobile phone in the hands. He seated near her opening a Coco Cola tin.
-What is happening, Altinai? Your boyfriend doesn’t answer to your sms? Saddest moment? Depression?
-I am not sure to continue your lessons…I am tired, I do not find reason to continue Tango…
-And why? What is the problem that block you on follow lessons? – He put the hand on her shoulder, like to protect her speech.
-I do not know, I feel no sense to continue if I am not able to follow what you say and show. I am not a dancer, it is difficult to follow you, to understand you, especially on what you expect from me, from us! It seems to me that I am a monkey and not a woman when I move. I have no partner for dancing and often you oblige me to dance with another woman. Now I am tired, and I don’t know what to do.
-Nobody arrives on this life able to dance, Athena. We discover to be able to dance after, really after years of listening music, looking people dance; or we become dancers just because the parents impose to younger to enter in the academies of dancing.
-You are not my parent and it seems you impose me what to do in all actions..
-In all? I am only your teacher for dancing, and if you do not want to continue stop it, you are not my wife or my mother or my sister. Probably you have not yet well understood that Tango is not only a dance, is a philosophy of life, a system to survive in bad moments, a love which permits to be loved without words but by dancing different positions, remembering good mood and so on..
-But why you want to teach this fucking dance as you like and not as should be in other schools!! Why you have to impose exercises, horrible music, personal moving to be changed and we do not want to change? You do not understand that we are here for our fun and your selfish!!
-To enjoy the fun moments together other people it is requested non commitments and no targets; if the funny moments are with a target as Tango dancing, it means that a lot of fun moments will arrive after understanding what to do during it.
Maestro left her and in front of other park visitors started to dance Tango without music, allowing to some of them to stop the walking for smiling at his behavior and imitate him in some moving. He took Altinai hands and started a small Milonga with her…
(from “The Master fo Tango” – copyright@Misha2014)
Thursday, 17 July 2014
Tuesday, 15 July 2014
Tango 1942
Cuando dijo adiós, quise llorar…
Luego sin su amor, quise gritar…
Todos los ensueños que albergó mi corazón
(toda mi ilusión),
cayeron a pedazos.
Pronto volveré, dijo al partir.
Loco la esperé… ¡Pobre de mí!
Y hoy, que tanto tiempo ha transcurrido sin volver,
siento que he perdido su querer.
Jamás retornarás…
lo dice el alma mía,
y en esta soledad
te nombro noche y día.
¿Por qué, por qué te fuiste de mi lado
y tan cruel has destrozado
mi corazón?
Jamás retornarás…
lo dice el alma mía
y, aunque muriendo está,
te espera sin cesar.
Cuánto le imploré: vuelve, mi amor…
Cuánto la besé, ¡con qué fervor!
Algo me decía que jamás iba a volver,
que el anochecer
en mi alma se anidaba.
Pronto volveré, dijo al partir.
Mucho la esperé… ¡Pobre de mí!
Y hoy, que al fin comprendo
la penosa y cruel verdad,
siento que la vida se me va.
Luego sin su amor, quise gritar…
Todos los ensueños que albergó mi corazón
(toda mi ilusión),
cayeron a pedazos.
Pronto volveré, dijo al partir.
Loco la esperé… ¡Pobre de mí!
Y hoy, que tanto tiempo ha transcurrido sin volver,
siento que he perdido su querer.
Jamás retornarás…
lo dice el alma mía,
y en esta soledad
te nombro noche y día.
¿Por qué, por qué te fuiste de mi lado
y tan cruel has destrozado
mi corazón?
Jamás retornarás…
lo dice el alma mía
y, aunque muriendo está,
te espera sin cesar.
Cuánto le imploré: vuelve, mi amor…
Cuánto la besé, ¡con qué fervor!
Algo me decía que jamás iba a volver,
que el anochecer
en mi alma se anidaba.
Pronto volveré, dijo al partir.
Mucho la esperé… ¡Pobre de mí!
Y hoy, que al fin comprendo
la penosa y cruel verdad,
siento que la vida se me va.
Tango and the modern lifestyle....
Ci stiamo evolvendo in tutto, in questi ultimi anni. La tecnologia più ardita e il processo di svluppo psicosociale ad essa correlato, hanno permesso cose impensabili solo 30 anni fa. Nella danza, per esempio, sono cambiati stili e concetti, costumi e coreografie sempre più azzardate. Ma anche nella musica la tecnologia e il nuovo life style hanno dato del loro per cambiare ritmi, strumenti, composizioni ardite. Quello che mi sembra ancora non modificato è il Tango nel suo insieme. Positiva, la cosa, certo! Però non capisco perchè si debba rimanere statici nella esecuzione delle figure utilizzando solo ed esclusivamente le musiche composte originariamente e non delle moderne composizioni che mantengano il ritmo del tango tale, o che per lo meno siano ballabili come Tango. Nel post vi dò un esempio di ciò che esprimo, usando una musica che può essere ballata come tango ed una classica. Io sinceramente non ci vedo un dramma, a modernizzare il movimento mantenendo costante ed ortodosso tutto il resto. Come la pensate voi?
We are evolving around in recent years. The most daring technology and the process of psychosocial svluppo related to it, have allowed things that were unimaginable just 30 years ago. In the dance, for example, have changed styles and concepts, costumes and choreography increasingly risky. But even in music technology and the new life style have given their changing rhythms, instruments, daring compositions. What I think is still not changed the Tango as a whole. Positive thing, of course! But I do not understand why you should stay with static in the execution of the figures using only the original music composed and modern compositions that maintain the rhythm of the tango, or at least that is how dance Tango. In the post I am giving you an example of what I express, using a music that can be danced as a tango and classical. I honestly do not see a drama, while maintaining constant movement to modernize the Orthodox and the rest. How do you think?
Estamos evolucionando alrededor en los últimos años. La tecnología más atrevido y el proceso de svluppo psicosocial relacionado con él, han permitido que las cosas que eran inimaginables hace sólo 30 años. En la danza, por ejemplo, han cambiado los estilos y conceptos, trajes y coreografías cada vez más riesgoso. Pero incluso en la tecnología de la música y el nuevo estilo de vida han dado sus cambiantes ritmos, instrumentos, atreviéndose composiciones. Lo que creo que todavía no se cambia el Tango como un todo. Lo positivo, por supuesto! Pero yo no entiendo por qué se debe quedar con estática en la ejecución de las figuras utilizando sólo la música original compuesta y composiciones modernas que mantienen el ritmo del tango, o al menos así es como bailar tango. En el post que te estoy dando un ejemplo de lo que quiero expresar, utilizando una música que se puede bailar como un tango y clásica. Sinceramente, no veo un drama, mientras se mantiene constante movimiento para modernizar los ortodoxos y los demás. ¿Cómo crees?
We are evolving around in recent years. The most daring technology and the process of psychosocial svluppo related to it, have allowed things that were unimaginable just 30 years ago. In the dance, for example, have changed styles and concepts, costumes and choreography increasingly risky. But even in music technology and the new life style have given their changing rhythms, instruments, daring compositions. What I think is still not changed the Tango as a whole. Positive thing, of course! But I do not understand why you should stay with static in the execution of the figures using only the original music composed and modern compositions that maintain the rhythm of the tango, or at least that is how dance Tango. In the post I am giving you an example of what I express, using a music that can be danced as a tango and classical. I honestly do not see a drama, while maintaining constant movement to modernize the Orthodox and the rest. How do you think?
Estamos evolucionando alrededor en los últimos años. La tecnología más atrevido y el proceso de svluppo psicosocial relacionado con él, han permitido que las cosas que eran inimaginables hace sólo 30 años. En la danza, por ejemplo, han cambiado los estilos y conceptos, trajes y coreografías cada vez más riesgoso. Pero incluso en la tecnología de la música y el nuevo estilo de vida han dado sus cambiantes ritmos, instrumentos, atreviéndose composiciones. Lo que creo que todavía no se cambia el Tango como un todo. Lo positivo, por supuesto! Pero yo no entiendo por qué se debe quedar con estática en la ejecución de las figuras utilizando sólo la música original compuesta y composiciones modernas que mantienen el ritmo del tango, o al menos así es como bailar tango. En el post que te estoy dando un ejemplo de lo que quiero expresar, utilizando una música que se puede bailar como un tango y clásica. Sinceramente, no veo un drama, mientras se mantiene constante movimiento para modernizar los ortodoxos y los demás. ¿Cómo crees?
Saturday, 12 July 2014
When the poetry discovered Tango...
Far from Buenos Aires
With a heavy grimace,
old, sad, and worthless,
walking with a slow step
I’m carrying my grief.
Far from the big city
that has seen me flourish,
in the strangest streets
I feel my soul start to darken.
No one sees my end,
nor do they care about my grief,
no one wants my friendship,
I’m alone with my bitterness.
And so I’ve wandered
since the day I arrived
when after a crazy dream
I abandoned everything, everything.
And wandering aimlessly suddenly I started,
when I head a recording of that tango:
'Waiter, bring another glass,'
that was sung by Carlos Gardel.
And hearing it I remembered everything from the past,
the happy years of my youth,
my old lady, my gang of friends,
my old girlfriend that I abandoned.
Tango, that brings such memories!
My Buenos Aires, I want to cry!
Oscar Rubens, 1942
With a heavy grimace,
old, sad, and worthless,
walking with a slow step
I’m carrying my grief.
Far from the big city
that has seen me flourish,
in the strangest streets
I feel my soul start to darken.
No one sees my end,
nor do they care about my grief,
no one wants my friendship,
I’m alone with my bitterness.
And so I’ve wandered
since the day I arrived
when after a crazy dream
I abandoned everything, everything.
And wandering aimlessly suddenly I started,
when I head a recording of that tango:
'Waiter, bring another glass,'
that was sung by Carlos Gardel.
And hearing it I remembered everything from the past,
the happy years of my youth,
my old lady, my gang of friends,
my old girlfriend that I abandoned.
Tango, that brings such memories!
My Buenos Aires, I want to cry!
Oscar Rubens, 1942
Saturday, 5 July 2014
Candombe and Canyengue, why forget them?
Several time we were in disputing the execution or not of the old origin of Tango called Candombe, during an exibition in public. We are formally convincted about the necessity, in all those training professional or near professional, of dancing Candombe and Canyengue, to permit to dancers the fully understanding of the mechanism which evolved onto Argentine Tango and Tango Nuevo since the beginning of its history.
Why destroy posters of lessons?
A lot of colleagues, in other Countries or in other schools, as per logical, use the "locandina" (poster) to inform peole about the training date of performance, or what the organizators prepared for a specific date. Once finished all, in practical, everyone get out or destry the poster.
We would like to share with you all, some of our locandina, just to give to our followers and colleagues an idea on what to write or publish. We hope yu enjoy this idea!
We would like to share with you all, some of our locandina, just to give to our followers and colleagues an idea on what to write or publish. We hope yu enjoy this idea!
Friday, 4 July 2014
Танго: Лучше чем секс?
Да.
Человеческая
потребность через нормальное сексуальное желание производить детей на свет с
помощью сексуального влечения.
Да, секс сам
по-себе пуст.
Насколько сильным и
настолько же прекрасным можеть быть когда имеешь любовные отношения, даже с
идеальным партнером, кто-то может потерять этого партнера и сексуальное желание
гаснет.
К тому же, глубокая
связь друзей, музыка, танец и любящее общество может с легкостью смягчить тяжесть
потери любимого партнера. Общество людей обнимающих друг-друга зачастую
стабильнее в течении всей жизни чем большинство партнеров – не всегда но часто.
Человек, который знает как слиться с сообществом теперь может положиться на
организации, которые могут пережить несколько поколений – такие организации
как, клубы, религиозные группы, а также группы из близких друзей. Я полагаю,
что здоровое сообщество Танго весьма может стать более удовлетворяющим чем
остальные из вышеупомянутых.
Несомненно
существуют более значительные потребности чем просто породить. И поэтому Танго
является внешним выражением, которое намного мощнее чем секс.
·
Дети и подростки умирают без заботливого прикосновения. Взрослые тоже
нуждаются в этом. Смерть от нехватки прикосновения, контакта глаз и социального
взаимодействия, которое в медицине носит название «отказ от процветания».
Потребность к человеческому прикосновению намного главнее чем секс по принципу
от колыбели до могилы. Секс не является первичным так как потребность к
прикосновению, контакта глаз и социального взаимодействия.
·
Если принудить оставаться спокойным, неподвижным человечество медленно
сходить с ума. Движение под музыку – куда более лучше, выражение свободы и радости.
·
Птица «поет» только для того чтобы подать знак самцу. Человеческая песня
уникальная и мы гонимся как разновидности для того чтобы петь и создовать
инструменты.
·
Нам необходимо танцевать как один из этих уникальных вещиц о наших
разновидностях. (Возможно даже музыканты своего рода являются танцорами...
пальцы танцующие на клавищах, грифе и калифе на барабанах.) Танец первичен.
Танго совмещает все эти – и многое еще
- мошные потребности.
Танго – это больше чем танец. Лечше чем секс.
Теперь, что если ты любишь пертнера, ты любишь танго вместе с партнером и увас
прекрасный (возбуждающий) секс?... Ну, что же, те ангелы, которые не танцуют
танго находятся в раю с меньшим удовлетворением.
Источник: http://tango-therapist.blogspot.de/2014/06/tango-better-than-sex.html
Источник: http://tango-therapist.blogspot.de/2014/06/tango-better-than-sex.html
Tuesday, 24 June 2014
Sensazioni-Sensations
SENSATIONS
Feelings different from the usual,
feelings of well-being cleaned,
fished out of new things in the old,
odor of tobacco and sweat,
noise of heels female,
rustle of silken stockings,
voices soft and deep insights,
while a bandoneon intones
music which affects the heart
in a dance hall,
where the Tango takes care of you.
(copyright Misha-schiedam2014)

Sensazioni
Sensazioni diverse dalle solite
sensazioni di benessere pulito
di cose nuove ripescate nel vecchio
di odori di tabacco e di sudore,
rumori di tacchi femminili,
fruscio di calze setate,
voci soffuse e sguardi profondi
mentre un bandoneon intona
musiche che colpiscono il cuore
in una balera
ove il Tango si cura si te.
(copyright Misha-schiedam2014)
Feelings different from the usual,
feelings of well-being cleaned,
fished out of new things in the old,
odor of tobacco and sweat,
noise of heels female,
rustle of silken stockings,
voices soft and deep insights,
while a bandoneon intones
music which affects the heart
in a dance hall,
where the Tango takes care of you.
(copyright Misha-schiedam2014)

Sensazioni
Sensazioni diverse dalle solite
sensazioni di benessere pulito
di cose nuove ripescate nel vecchio
di odori di tabacco e di sudore,
rumori di tacchi femminili,
fruscio di calze setate,
voci soffuse e sguardi profondi
mentre un bandoneon intona
musiche che colpiscono il cuore
in una balera
ove il Tango si cura si te.
(copyright Misha-schiedam2014)
Subscribe to:
Posts (Atom)














